In an earlier post, I talked about the "three ways" of knowing the
Ultimate. In actuality, I was speaking of only ONE aspect of the
Ultimate - the transcendent / God / masculine dimension of the divine
Source. According to Wilderness Mysticism, just as most species in
Nature are the result of a mother and father - or at least of one
principle that is weighted more heavily toward the masculine and another
weighted mostly in the direction of the feminine - so the Ultimate is
composed of TWO major aspects, roughly corresponding to "God" on the one
hand and "Goddess" on the other. What I described earlier was more
masculine / transcendent / Singular in orientation, what we might call
the "vertical" aspect of Divine union.
However, there is also a
more feminine / immanent / web-like or "horizontal" dimension, one that
has in fact been sorely neglected by many of the world's great religious
traditions. In the experience of vertical union, Form and Emptiness
(or images and the Imageless) trade back and forth. Or, more
accurately, between Absolute Emptiness, and forms as relative
expressions of Emptiness. in the experience of horizontal union,
different forms trade back and forth. Here, each creature is actually a
version of every other creature. As Muskogee poet Joy Harjo says, "the
grizzly bear is one version of a human being, and a human being is one
version of the grizzly." In Ralph Waldo Emerson's "principle of
correspondence" (which, oddly enough, is called "transcendentalist"),
Nature mirrors humanity and humanity mirrors Nature.
Here again,
the three ways of knowing apply. In the kataphatic way (with verbal
image), we might say, for example, that a still lake incarnates human
tranquility in lake-form, and the human soul incarnates lake-ness in
human form. Here, the conceptual SIMILARITY between the two - which can,
to a degree, be expressed verbally - is the key feature. However, the
apophatic way (without verbal image) then comes along and reminds us
that the essence of each of the two forms is essentially unsayable. Zen
Buddhism specializes in this realization. Speaking personally, I
experience the essential apophatic mystery of a thing - what might be
called a "still point" or a "flash" of "suchness" - when another
creature GRASPS my awareness and empties itself into my own sense of
being-embraced and held by it. In other words, I experience the
creature's essential mystery in the MOVEMENT or self-emptying of the
other into my perception. I love this moment, for it is essentially
mysterious, or what Meister Eckhart called "the silent desert into which
no distinction ever peeped." Then, of course, there is a corresponding
self-emptying of my own human self into the other creature in my act of
loving it for itself. This again is a part of the apophatic way.
Then the third way - that of supereminence - comes along and says; "I
have an idea - let's become poets and use paradoxical images to describe
one another!" Zen poets - who, of course, use words as a part of their
craft - are especially skilled at this. For example, Dogen Zenji can
say: "The green mountains are always walking. You should examine in
detail this quality of the mountains' walking. Do not doubt mountains'
walking even though it does not look the same as human walking . . .
They walk more swiftly than the wind .. . Therefore, investigate
mountains thoroughly. When you investigate mountains thoroughly, this
is the work of the mountains. Such mountains and waters of themselves
become wise persons and sages." Here, words are used playfully in
bringing together things that seemingly have NO OBVIOUS SIMILARITY, yet
which are nevertheless - and playfully - capable of being experienced AS
each other!
Photo: Variations on Indian Paintbrush, Grand Teton National Park, WY, July 6, 2015
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I am available for spiritual direction / mentoring sessions via cell
phone or Skype. The fee for each hour-long session is $65. If you are
interested in inquiring about this, or would like to host a talk or
workshop in your area, please contact me at canyonechoes@gmail.com .